Pools exhibited in Civic House, Glasgow, explores the nature of my relationship to the sea by considering instinctual acts of collecting and archiving shells found on the shoreline. Addressing the drive behind these acts, I question the variations in visual and tactile experiences of the landscape that result in domestic curation of collected terrestrial form.
I explored modes of shelving and archiving collected shells through the placement and displacement of ceramics, wood, shell and plaster - reflecting  upon  the  formation of shells in the natural environment whilst drawing  comparisons between this and the process of casting.